Alternate Title: The Family that Plays Together
Olive Hoover (Abigail Breslin) gets a chance to compete in the Little Miss Sunshine pageant in California. Unfortunately for her, this means her entire family has to come along for the trek from Albuquerque, New Mexico.
In tow is her dad, Richard (Greg Kinnear), a high-strung motivational speaker waiting to hear whether his book deal is going to go through; her mom, Sheryl (Toni Collette); Olive’s grandpa and coach (Alan Arkin), who snorts heroin and spouts diatribes to the family about how to live well; her selectively mute brother, Dwayne (Paul Dano), who wants to be a pilot in the Air Force and refuses to speak until he achieves this goal; and her Uncle Frank (Steve Carrell), who recently attempted suicide when his male grad student fell in love with someone else.
The family travels across the state in a funny yellow van that develops horn problems and clutch problems to mirror the smorgasbord of problems of the people it carries on the road.
While her dad emphasizes the importance of being a winner and not a loser, Olive and her family get plenty of more lessons in living well than just the ones they hear about from Grandpa.
One of the many things I enjoyed about this movie includes a small Breaking Bad foreshadow cast over the film. The Hoover family is from Albuquerque, just like Walter White and Stan Grossman – the man marketing Dad’s book idea – is played by Bryan Cranston, Walter White himself. Plus, the family gets pulled over at one point and the officer doing the pulling is Dean Norris…AKA Officer Hank Schrader!
Without getting too preachy about the pitfalls of body comparison and pageantry, Little Miss Sunshine is warm and honest in every possible way.
Now it’s Your Turn… Little Miss Sunshine was nominated for Best Picture in 2006, but did the Academy get it right?
Sean Penn plays gay activist Harvey Milk, a man whose voice spoke for countless others. After meeting Scott (James Franco, seen here as a non-douche and a non-stoner, so don’t let that deter you), Harvey and his new beau pick up and head to San Francisco.
San Francisco in the 70s was just getting its reputation for hosting proud members of the gay community. While it was their haven, it was certainly not safe. Legal and moral objections were raised against them at every turn and as a result, Harvey took to the political scene. He became the first openly gay man to hold political office in the country.
A workaholic with a message that affected many, Harvey was plagued by death threats and ghosts of lost lovers; in fact, several of his partners committed suicide – something Harvey believed was partially his fault, due to his fear of coming out of the closet.
While I agree with the message Harvey and his followers preached and believe that politicians out to destroy civil rights are really just demonizing democracy, I still don’t like politics. The outcome of Harvey Milk’s time as a supervisor was heartbreaking and ultimately, I don’t love stories that have unhappy endings.
However, he’s a person I didn’t know a thing about until I watched this film and that’s a genuine shame. Political activists – especially those fighting on behalf of human rights – really ought to be recognized more readily. With the fucking laugh-riot our country is slowly becoming, it’s easy to see why now, people like Harvey Milk deserve a megaphone and a place behind the podium.
It’s nice to say we’re born with unalienable rights, but we are not born with them.
We fight for them. And the fight is definitely not over yet.
Now it’s Your Turn… Milk was nominated for Best Picture in 2008, but did the Academy get it right?
One of the first musicals to hit the screen, this movie encapsulates the spirit of modern musicals as well.
Hank (Bessie Love) and Queenie (Anita Page) are the Mahoney sisters trying to make it big on Broadway. They move to New York to get their break. Hank is dating Eddie (Charles King), who falls in love with Queenie just as soon as he puts his eyes on her.
This is when things get 1920s-level creepy. Some of the compliments Eddie pays Queenie include calling her a “cute kid,” and saying she’s a “sweet, little girl.” Not to mention, the guy is going out with her sister. It’s totally pathetic.
Once they audition, the Mahoney sisters as a unit are paid no mind, but everyone is taken with Queenie’s natural good looks. This irks Hank since she’s obviously the more ambitious – and the more business savvy – of the two. Hank is a spitfire, making sure that there’s room for her on the stage with her sister, but Queenie soon gets swept up by a man named Jacques Warriner (Kenneth Thomson). He seems more interested in purchasing Queenie’s affection than considering whether she actually fucking likes him at all. That’s maybe one thing about show business that hasn’t changed a whole lot in nearly 100 years…
Queenie is smitten with all the attention she’s probably never had, but faces a crisis of character when she discovers that she might care about Eddie as much as he does about her.
Though the movie is old and thus plagued with shrill acoustics and blurry images at times, it’s easy to see where almost every musical since has borrowed a few ideas. It’s character-driven, but interspersed with some catchy songs. Hank Mahoney is an especially dynamic character because although she’s fierce, she is a purely unselfish individual. She’s a rare commodity on screen and just as rare in real life. The Broadway Melody is still pitch perfect today.
Now it’s Your Turn… The Broadway Melody won Best Picture in 1928, but did the Academy get it right?
Alternate Title: Oh the Places We Might Go if We Ever Get Out of Here
You might have no room left in your body for emotion after watching this. From the get-go, you are just like Jack (Jacob Tremblay) and your world is almost as small as his, except that you’re watching a movie and you know that room is not all there is to it.
Jack turns five and on this momentous birthday, Ma (Brie Larson, the best part of the show United States of Tara) decides to tell Jack that their Sunday visitor, Old Nick (Sean Bridgers) kidnapped Ma when she was 17. Ma reveals that her name is Joy and that their home, room, is not the universe. In fact, Ma explains that lots of things Jack sees on TV are actually real things and that Ma and Jack have to escape.
Although five, Jack is unprepared for the shock of this news. It takes a little time, but he eventually warms up to the story Ma has told him and agrees to try and help them get out of room.
Everyone knows the heart-stopping stories of young women who have been snatched away, only to return home years later. Few people consider the trauma and heartbreak endured by these women for years – even after the events. It’s not something the media focuses on when the stories are supposed to be about triumph and survival.
The fact is that survival is such a powerful word because it carries with it struggle and sacrifice. Survival implies overcoming a harrowing force. Room paints this picture, but from the innocent viewpoint of a five year-old boy who doesn’t understand the overwhelming danger and beauty of the whole wide world. Room is a unique take on a haunting story everyone has heard because no one has ever heard it quite like this.
Now it’s Your Turn… Room was nominated for Best Picture in 2015, but did the Academy get it right?