The Broadway Melody

Alternate Title: Bittersweet Symphony
1928 Winner

One of the first musicals to hit the screen, this movie encapsulates the spirit of modern musicals as well.

Hank (Bessie Love) and Queenie (Anita Page) are the Mahoney sisters trying to make it big on Broadway. They move to New York to get their break. Hank is dating Eddie (Charles King), who falls in love with Queenie just as soon as he puts his eyes on her.
This is when things get 1920s-level creepy. Some of the compliments Eddie pays Queenie include calling her a “cute kid,” and saying she’s a “sweet, little girl.” Not to mention, the guy is going out with her sister. It’s totally pathetic.

Once they audition, the Mahoney sisters as a unit are paid no mind, but everyone is taken with Queenie’s natural good looks. This irks Hank since she’s obviously the more ambitious – and the more business savvy – of the two. Hank is a spitfire, making sure that there’s room for her on the stage with her sister, but Queenie soon gets swept up by a man named Jacques Warriner (Kenneth Thomson). He seems more interested in purchasing Queenie’s affection than considering whether she actually fucking likes him at all. That’s maybe one thing about show business that hasn’t changed a whole lot in nearly 100 years…

Queenie is smitten with all the attention she’s probably never had, but faces a crisis of character when she discovers that she might care about Eddie as much as he does about her.

Though the movie is old and thus plagued with shrill acoustics and blurry images at times, it’s easy to see where almost every musical since has borrowed a few ideas. It’s character-driven, but interspersed with some catchy songs. Hank Mahoney is an especially dynamic character because although she’s fierce, she is a purely unselfish individual. She’s a rare commodity on screen and just as rare in real life.
The Broadway Melody is still pitch perfect today.

Now it’s Your Turn…
The Broadway Melody won Best Picture in 1928, but did the Academy get it right?

Room

Alternate Title: Oh the Places We Might Go if We Ever Get Out of Here
2015 Nominee

You might have no room left in your body for emotion after watching this. From the get-go, you are just like Jack (Jacob Tremblay) and your world is almost as small as his, except that you’re watching a movie and you know that room is not all there is to it.

Jack turns five and on this momentous birthday, Ma (Brie Larson, the best part of the show United States of Tara) decides to tell Jack that their Sunday visitor, Old Nick (Sean Bridgers) kidnapped Ma when she was 17. Ma reveals that her name is Joy and that their home, room, is not the universe. In fact, Ma explains that lots of things Jack sees on TV are actually real things and that Ma and Jack have to escape.
Although five, Jack is unprepared for the shock of this news. It takes a little time, but he eventually warms up to the story Ma has told him and agrees to try and help them get out of room.

Everyone knows the heart-stopping stories of young women who have been snatched away, only to return home years later. Few people consider the trauma and heartbreak endured by these women for years – even after the events. It’s not something the media focuses on when the stories are supposed to be about triumph and survival.
The fact is that survival is such a powerful word because it carries with it struggle and sacrifice. Survival implies overcoming a harrowing force. Room paints this picture, but from the innocent viewpoint of a five year-old boy who doesn’t understand the overwhelming danger and beauty of the whole wide world.
Room is a unique take on a haunting story everyone has heard because no one has ever heard it quite like this.

Now it’s Your Turn…
Room was nominated for Best Picture in 2015, but did the Academy get it right?